Monday, September 17, 2012

A Beneficial Misunderstanding

You guys have heard of The Bookshelf Muse, right? (If not, click on that link, then make a button for it on your browser's bar. Because holy great resource, Batman! Seriously. You'll wonder how you ever lived without it. Especially when you find your characters expressing emotion with the same body language ALL THE TIME. Not that I ever do that or anything....) Anyway, I am so excited to have the co-author of not only the Bookshelf Muse but also of the book THE EMOTION THESAURUS, Becca Puglisi, here to share her knowledge.

Take it away, Becca!

My daughter started Pre-K in August. I’m still adjusting, but she’s loving it and doing really well. She’s very peer-oriented, but she’s a little bossy and a lot opinionated, so I knew this year would be more of a social experiment for her than an academic one. I found this to be true when she came home a few days ago, upset that one of her friends had said she didn’t want to play with her.

I took the news well (WHAT LUNATIC TODDLER DOESN’T WANT TO PLAY WITH MY ANGEL??!) It was a sad little crisis, though not unexpected. Girls will be girls, especially at the ripe old age of four. But after talking it through, I realized that the other girl wasn’t saying she didn’t want to play at all; she was just tired of the game they’d been playing every day at recess for weeks—the reenactment of some story my daughter made up about two little bats being chased by a giant “comtagious” bat named Maleficent.

Like many creative geniuses, she clearly isn’t being recognized in her own time.

Once I’d ferreted the truth out of this tangle, we talked about how friends should share and take turns choosing what to play. And since then, the sun has returned to shine upon the toddlers of Room 30. It was just disappointing that my daughter’s feelings were hurt over a simple misunderstanding.

And that got me to thinking. Misunderstandings are the culprits behind a lot of our real life problems. As such, they’re perfect for our stories—an ideal vehicle for creating conflict, which leads to tension, which creates heightened emotion in both the character and the reader, which leads to awesomeness all over the page. So, while we want to avoid misunderstandings in real life, we should look for ways to develop them in our stories. Here are a few natural ways for misunderstandings to take place:

Things Not Said. In my opinion, this is the most common reason for communication mistakes. People either deliberately leave things out, or just don’t articulate their thoughts clearly and important information is lost. In Princess Academy, Miri is frustrated and hurt when her father won’t let her work in the quarry like the other girls. She assumes it’s because she’s weak and small and worthless in his eyes, so she doesn’t discover until she finally confronts him at the end of the story (*spoiler alert*) that her mother was killed in the quarry and he can’t bear the possibility of losing her, too. If Miri had brought this up earlier, that plot line would’ve come to an end, throwing the whole story out of whack. To maintain tension, don’t let your characters confront. Keep them assuming and stewing and simmering until the story’s climax, when everything is finally made clear.

Things Overheard. How often have you walked into the middle of a conversation and gotten confused about who or what was being discussed? This scenario can just as easily lead to misunderstandings on the part of your hero. When he jumps into a conversation, or overhears two friends talking without knowing the context, he’s left to make all kinds of assumptions—ones that can easily be incorrect. This is an easy way to frustrate your hero, build conflict between him and the other characters, and lead the reader astray.

Misinterpreted Actions. It’s been said that up to 95% of our interactions as humans are nonverbal, so a large part of communication involves interpreting the actions of others. When a person misreads these clues, it leads to problems. In Hate List, main character Valerie is as shocked and horrified as everyone else when her boyfriend opens fire in their school cafeteria. As she reviews the past year with Nick, she begins to see clues that she missed. Her flashbacks provide a great example of how one person can misread another’s actions, in this case, with devastating results. To ramp up the conflict in your story, make sure you include some clues about what’s really happening, but in such a way that they can be misinterpreted by others.

Misperceptions. So much of the conflict in our world is a result of misperceptions. People look a certain way, so we assume they are a certain way. Someone makes one bad decision and we jump to the conclusion that this is who they are. Prejudice, guilt by association—these things are a result of making snap judgments about someone’s character or personality. In The Wicked and the Just, when Cecily and her father move to Caernarvon in Wales, she assumes that all of the Welsh are uncivilized, untrustworthy, and ungrateful. This misperception leads to big-time trouble. As much as we don’t want to be prejudiced, to some degree, we are. Apply this common fault to your characters to create difficulties and give them room to grow.

So, apparently, misunderstandings can be beneficial. If you’re looking for ways to increase conflict or stretch out the tension over the course of a story, hopefully these tips will help.

BIO:
Becca Puglisi is one half of The Bookshelf Muse blogging duo, and co-author of TheEmotion Thesaurus: A Writer's Guide to Character Expression. Listing the body language, visceral reactions and thoughts associated with 75 different emotions, this brainstorming guide is a valuable tool for showing, not telling, emotion. The Emotion Thesaurus is available for purchase through Amazon, Barnes& Noble, iTunes, and Smashwords, and the PDF can be purchased directly from her blog.

Fabulous advice, isn't it? Thanks so much for joining us, Becca! 

So what about you guys? Have you used The Bookshelf Muse as resource before?

30 comments:

Elodie said...

Thank you Peggy! I did not know about this site and holy moly...there's a lot of information! And I just purchased their book in pdf as I have a lot of my characters who for some reasons, shrug. A. Lot. :D

Becca Puglisi said...

Hi, Elodie! And shrugging has always been one of my characters' major hang-ups too. Hopefully The Emotion Thesaurus will help!

Janel Gradowski said...

I'm glad I found this blog because of the guest post,too! The last half of my WIP revolves around a misunderstanding. This post has given me a few ideas on how to ramp up the drama even more. Thank-you, Becca!

Bish Denham said...

Once again, Becca, excellent advice. Little misunderstands can lead to big things. I'm glad your daughter and her friend worked things out with a little help from Mom.

Stina Lindenblatt said...

This is an awesome post! The trick is doing this when you're writing from dual pov. You don't want to reveals things too early, so you have to be careful how you approach this.

Stina Lindenblatt said...

This is an awesome post! The trick is doing this when you're writing from dual pov. You don't want to reveals things too early, so you have to be careful how you approach this.

David P. King said...

Awesome post, Becca and Peggy. That is really an amazing book. :0

Donna K. Weaver said...

Great stuff here. Of course, we have to give them good reasons for not communicating better, or it can come off as trite when a simple question could have solved the problem.

LOVE the Emotion Thesaurus! I use it all the time when I'm editing. And people should be sure to check out your blog for things other than emotional help.

Joshua said...

Wait...you're telling me my characters need to have emotions, too? Time for a re-write. Send Oreos.

Patti said...

Great post Becca. I absolutely love this book and have it beside me every time I sit down to write.

Chantele Sedgwick said...

What an awesome post! I'm going to check out her website right now! :D

Lynn(e) Schmidt said...

I LOVE my emotion thesaurus! It's sitting next to me in the library :)

Elizabeth Seckman said...

I put it on my Christmas list! Can't wait to use it!

Angela Ackerman said...

You are so good with Conflict and tension, Becca! These are some great tips to keep in mind to ramp things up along the way or to build a storyline from!

Peggy, thank you for the kind words and for hosting Becca today!

Angela

Lydia Kang said...

They are great tips, thanks Becca and Peggy!

Aldrea Alien said...

Such wonderful tips to make more trouble for a MC. ^_^

I'm pleased to see I've at least one of the four in every story. And I think I've managed 2-3 in my current wip. Yay, for misunderstandings!

Nicole said...

Great post! I love the Bookshelf Muse.

Natalie Aguirre said...

Great advice Becca. It's so true about how misunderstandings can lead to unintended results both in fiction and in life. But there wouldn't be a story in fiction without it.

Becca Puglisi said...

Oooh, Janel, I'm glad to hear you've got a misunderstanding in your wip. Maybe this will come in handy :)

Stina: That's a great point. Things get tricky with differing viewpoints, having to remember what each person knows and has revealed.

Bish, David, Donna, Patti, Chantele, Lynn(e), Elizabeth, Lydia, Angela, Nicole, and Natalie: Thanks for the kind words, and for dropping by!

Joshua, virtual oreos are on the way!

Aldrea, that's awesome! I'm just learning this lesson myself, so I've got a ways to go in terms of implementing it :).

And thanks so much, Peggy, for hosting me!

Chihuahua Zero said...

The "romantic understanding" comes to mind. It seems like in most cases, it comes as a little cringe-worthy, probably because it seems forced, but I read at least one subversion where the narrator thinks that the romantic interest got upset by a misinterpreted situation, but after witnessing all the warning signs, it turns out the romantic interest was doing something else.

Crisis averted. Instead, their strongest moment of conflict is over something else.

Shallee said...

I love The Emotion Thesaurus-- I use it all the time! Thanks for this insightful post, Becca. I love cultivating those misunderstandings in my books!

Thanks for hosting, Peggy. :)

Angela Cothran said...

This is brilliant! Brilliant! It makes me happy to learn new stuff like this :)

Stacy said...

Your description of your daughter reminds me of my own! She is certainly opinionated.

Great examples of how to use misunderstandings - those are simple tools that often get overlooked.

Stacy
stacygreenauthor.com

Susanna Leonard Hill said...

Great post! Better bookmark this one :) Thanks so much for all the helpful pointers!

Martha Ramirez said...

Becca, this is AWESOME advice!!


"So, while we want to avoid misunderstandings in real life, we should look for ways to develop them in our stories."

Great reminder! That is so true. We all often make our own assumptions sometimes we forget to make our characters do the same. Thank you so much for reminding us!

BTW Cool site. Thanks for directing us here.

Tracy Campbell said...

Becca, again you offer outstanding advice. And as you know, I can't live without my emotion thesaurus. :)
Peggy love your site, banner, and content.

Z said...

The Bookshelf Muse is one of my most-visited webpages. It's killer genius awesomeness.

This was a great post - so often I get frustrated when entire plots revolve around miscommunications, because I just want to shake people and say, "Just sit down and talk it out!!!"

But, you know what? Normal people (as in, everybody but me and hubby) don't just talk about everything. My brother just moved in with us, and after a week said, "You guys talk too much."

Little does he know.

Coleen Patrick said...

I put the book on my wishlist recently,but I think I'm going to have to get it now!
This is great advice, thanks. :)

Susanne Drazic said...

Enjoyed the post. The EMOTION THESAURUS is awesome!

Becca Puglisi said...

Thanks for all the kind comments, everyone. Now, get out there and make sure your characters don't communicate clearly ;).